| O Louis! Your art was magic |
GUGLIELMI |
| Playback man's are dealers in corn |
CHANDLERS |
| Priestley's was on the sidewalk. Harris's at the gate |
ANGEL |
| Publicity more suitable for one who makes changes |
ADAPTER |
| Purchase it, say. And give us possession? |
BYATT |
| Reach no dreadful, infernal river |
ACHERON |
| Relative success for Sheridan in 1864 |
SILAS |
| Suffer in sympathy with Sweeney? |
AGONISE |
| Supports damaged gate behind the scenes |
BACKSTAGE |
| Sure to come back holding drink for Argonaut |
ERGINUS |
| The German 16 found in some crook's pocket |
DERRINGER |
| The Mark on the Wall |
SNAIL |
| These openings were worked to death by C. Day Lewis |
OVERTURES |
| Thespian's basic need set aside |
APART |
| To depart suddenly with pen and name a lively novelist |
ELOPE |
| What is earned on De La Mare's book |
THERETURN |