| '...the basis for characters, and — — — like mad' (George Melly, Owning-up) |
CAMPEDITUP |
| 'I could not — '—', / When they did say 'God bless us!'" (Macbeth) |
SAYAMEN |
| 'There was a looking for comfort rather than —' (James, The Convict) |
FINERY |
| A regal stimulus, it's said, for King John |
PHILIP |
| A remedy for grief for the ancient Greeks.from one pen the critics overlook |
NEPENTHE |
| A trier perhaps, more affectedly interested in painting, etc. |
ARTIER |
| Betjeman called by Poe's tintinnabulators? |
SUMMONEDBYBELLS |
| Capital French rustic from Aragon, according to index? |
PAYSANDEPARISLE |
| Composer produces sound of songster |
BYRD |
| Heavy ref ruined play |
HAYFEVER |
| Jane's mediaeval seat may also suggest ill-feeling toward Scotland? |
NORTHANGERABBEY |
| Like a pause in piano academy |
HIATAL |
| Lovable toreador a blend, to some degree, of risk-taker and one who will not tolerate any bull |
ADORABLE |
| Messenger goes to see? Quite the contrary |
NUNCIO |
