| 'Has he not well provided for the -?' (Beaumont and Fletcher, Love's Cure) |
BAIRN |
| 'Poor slaves in metre, dull and --pated' (Dryden) |
ADDLE |
| A starting point for Melville |
NANTUCKET |
| A vicar, agog, upset refugee artist |
CARAVAGGIO |
| An alter ego to conceal, say, with teddy |
EDWARDHYDE |
| Brandy associated with Chagall |
MARC |
| Closed communities for persons with similar habits |
ABBEYS |
| Comic writer from Arab isle |
RABELAIS |
| Determined to Òlive for ever or die in the attemptÓ, he found a catch in it |
YOSSARIAN |
| Dickens notary seen to waste study |
WITHERDEN |
| Doubly intimate French skirt |
TUTU |
| Fielding's version of this Moli�re character was by definition close |
MISER |
| Final solution in Egypt as afterthought |
ASPS |
| Hitchcock's take on Greek comedy? |
THEBIRDS |
| Innocent as le Carre's lover |
NAIVE |
| London dog |
WHITEFANG |
