| Leading characters in Titus Andronicus spoil the ending in one sense |
TASTE |
| Like lady's protest in play that confounds sexes with vice |
EXCESSIVE |
| Novice Romeo crazy about female — tragic hero |
MOOROFVENICE |
| One who operates in theatre, not needing screen |
STAGEACTOR |
| Practice acting in Winter's Tale, initially |
WONT |
| Quiescent during penultimate part of Macbeth — and of Hamlet |
INACTIVE |
| Romantic message for Veronese gentleman |
VALENTINE |
| Second member of weird trio having exited? Stop watching |
SWITCHOFF |
| See 4 |
LOST |
| Shakespeare, as opposed to 7 |
WILL |
| Superficially cut, like Antony and Cleopatra or Romeo and Juliet, we hear |
PARED |
| Text for Macbeth, say, putting extra time into revised bit role |
LIBRETTO |
| They support arms, weapons linked with arrows in dramatic speech |
SLINGS |
| Tinker on stage, holding online meeting without ado |
SEDATELY |